Directed by Sunil Sukthankar and produced by Dr Mohan Agashe, Outhouse is a poignant, multi-layered film that delves into themes of companionship, kindness, and the connection between human and animal lives. It’s Sukthankar’s first release after the death of his partner in direction, Sumitra Bhave in 2021. And going by the film’s subject matter, an ode to her. It’s perhaps his way of saying that her memories are secure in the outhouse of his mind. The duo directed many good Marathi movies like Doghi (1995), Devrai (2004), Astu (2015) and Kaasav (2016). Most of the films revolved around mental diseases, depression and trauma but left the viewers with a ray of hope. Anchored by stellar performances from Sharmila Tagore and Mohan Agashe, the film captures the essence of urban loneliness and generational divide.

The story centers on Aadima (Sharmila Tagore), a loving grandmother who cares for her grandson Neel (Jihan Hodar) while his parents live away. Their quiet life is disrupted when Neel’s cherished dog, Pablo, goes missing and finds refuge with their neighbor Nana (Mohan Agashe), a reclusive elderly man living in a small apartment. As Aadima and Neel set out to retrieve Pablo, an unexpected adventure unfolds, transforming not only their lives but also Nana’s. Aadima’s journey is further enriched by her creative expression, as she documents their adventure through a graphic story. This unique narrative device not only adds charm but also provides a reflective lens on the innocence and kindness still present in the world. The parallel storyline between Nana and his son (Sunil Abhayankar) lends a gravitas to the proceedings.. Their evolving relationship, from silent tension to heartfelt reconciliation during the search for Pablo, adds emotional weight to the film. Though some repetitions in the narrative slightly slow the pacing, the strong performances and thoughtful direction ensure the story remains engaging.

The titular Outhouse serves as a powerful metaphor, representing objects, memories, and people deemed out of place in the modern world. For Aadima, it is a storehouse of memories tied to her late husband and a sanctuary for those struggling to fit into contemporary life, like the displaced Pablo. Through this space, the film highlights the dismissive attitude toward things and people considered obsolete or inconvenient.

Sharmila Tagore brings warmth, wisdom, and a spark of curiosity to Aadima, portraying her as a nuanced blend of strength and vulnerability. Mohan Agashe’s portrayal of Nana is equally compelling, balancing his character’s initial gruffness with moments of tender humanity. Together, they create an authentic dynamic that forms the heart of the narrative.

The supporting cast, including Sonali Kulkarni, Neeraj Kabi, Sunil Abhayankar, and Pradeep Joshi, adds depth to the narrative. Sonali Kulkarni’s portrayal of Aadima’s daughter captures the struggles of balancing professional and familial responsibilities, while Neeraj Kabi effectively conveys the self-awareness of a man striving to mend his marriage. Pradeep Joshi steals scenes as Londhe, Nana’s quirky neighbor, and his witty exchanges with Agashe bring a smile to your face. Sunil Abhayankar comes into his own in the scene where he confesses he’ll always be a child in front of his father.

Sunil Sukthankar balances the film’s simplicity with emotional complexity. By focusing on subtle interactions and authentic moments, he creates a world that feels both intimate and universal. The cinematography by Dhananjay Kulkarni, sound design by Anmol Bhave, and editing by Mohit Takalkar add to the film’s understated charm.

Outhouse reminds viewers of the enduring power of love, connection, and compassion. It’s more than just a heartwarming tale about a missing pet. Instead, it’s a celebration of the small yet significant moments in life, offering a gentle critique of societal norms and expectations.